


Alexandra Bachzetsis “Notebook”, 2023. Press photos. Courtesy of the artist. Photo © Diana Pfammater, 2023.
Notebook
The new solo project by Alexandra Bachzetsis is a profound and lustful exploration by the performer of her own biography as a dancer, choreographer and artist. The piece was not created in isolation, but within the framework of a dialogue, a method developed by Bachzetsis especially for this project. With her dialogue partners: Lies Vanborm, Safiya Sinclair, Michel Auder, Emi Curty, Zeltia Robin, Marco Delgado, Nadine Fuchs, Lili-Mar-lo Delgado Fuchs, Mélissa Biondo, Loren Tschannen, Antoine Weil, Owen Ridley-DeMonick, Dorota Sajewska and Alban Schelbert, she developed a performative installation in which the encounters with the others can be found again in the form of material and immaterial traces, voices, remains. A dance dialogue with Antoine Weil is (re) performed in part of SOLO live and the whole piece is accompanied by live sound composed by Alban Schelbert.
Themes such as lust, sexuality, excess, innocence, pain and ephemerality are ad-dressed in the form of performative notes that manifest themselves in a plurality of voices, images, bodies and objects. The notebook as an indispensable companion of the artistic process, as a private archive of creative work and as a storehouse of ideas for imagined future projects thus reflects Bachzetsis’ artistic affinity for the fragmentary, sketchy, unfinished in creative and performative thinking processes. Here, the body becomes a physical archive of other bodies, the most subversive form of presentation of experience as well as a place of permanent mediation between past and present, event and documentation, liveliness and mediality, originality and quotativeness.
Text by Dorota Sajewska
CREDITS
Concept and Choreography
Alexandra Bachzetsis
Collaboration Concept and Dramaturgy
Dorota Sajewska
Collaboration Choreography and Performance
Alexandra Bachzetsis
Antoine Weil
Alban Schelbert
Collaboration Movement Research
Owen Ridley-DeMonick
Themes such as lust, sexuality, excess, innocence, pain and ephemerality are ad-dressed in the form of performative notes that manifest themselves in a plurality of voices, images, bodies and objects. The notebook as an indispensable companion of the artistic process, as a private archive of creative work and as a storehouse of ideas for imagined future projects thus reflects Bachzetsis’ artistic affinity for the fragmentary, sketchy, unfinished in creative and performative thinking processes. Here, the body becomes a physical archive of other bodies, the most subversive form of presentation of experience as well as a place of permanent mediation between past and present, event and documentation, liveliness and mediality, originality and quotativeness.
Text by Dorota Sajewska
CREDITS
Concept and Choreography
Alexandra Bachzetsis
Collaboration Concept and Dramaturgy
Dorota Sajewska
Collaboration Choreography and Performance
Alexandra Bachzetsis
Antoine Weil
Alban Schelbert
Collaboration Movement Research
Owen Ridley-DeMonick
Dialogue and Research Partners
(in chronological order)
Lies Vanborm, Safiya Sinclair, Michel Auder, Emi Curty, Zeltia Robin, Marco Delgado, Nadine Fuchs, Lili-Marlo Delgado Fuchs, Mélissa Biondo, Loren Tschannen, Antoine Weil, Owen Ridley-DeMonick
Music Composition and Sound Design
Alban Schelbert
Collaboration Costume Design, Conceptual Advice and Research
Christian Hersche
Ulla Ludwig
Laurent Progin Hermann
Communication Design
Julia Born
Photography
Diana Pfammatter
Photography Assistant
Andrea Ebener
Hair and Makeup Shooting
Delia Scullio, Helve Leal
Technical Direction, Stage and Light Design Patrik Rimann
Production and Management
Association All Exclusive, Franziska Schmidt
Administration
Association All Exclusive, Juliana Simonetti
International Distribution
Something Great
Studio Assistance & Tour Management
Giuliana Dridi
Archive Management & Research
Jean-Marie Fahy
Co-Production
Kunst Halle Sankt Gallen
Gessnerallee Zürich
Tanzquartier Wien
TBA - Teatro Bairro Alto
Kaserne Basel
Arsenic - Centre d‘art scénique contemporain
Thanks to
Giovanni Carmine
Supported by
The cooperative support agreement between the City of Zurich, the Canton of Zurich, and Pro Helvetia—Swiss Arts Council, Ernst Göhner Stiftung